ARE WE LISTENING? April 26, 2009Posted by randydeutsch in architect, BIM, employment, optimism, the economy, transition.
Tags: BIM, future of architecture, history repeats, IPD, predicting
At Bookman’s Alley of Evanston this weekend, on the cusp of this week’s AIA National Convention in San Francisco, I couldn’t resist opening the May 1977 issue of Progressive Architecture bearing “The Future of Architecture” cover story. Louis Kahn’s last work had just opened at Yale, Harry Weese’s detention center in Chicago received an AIA National Honor Award and 30-50% of architecture firms had recently laid-off staff leading to rampant unemployment among architects. Thumbing through the long defunct but then most-edgy of building design magazines, one could easily conclude that history indeed repeats itself, only in more ways than one could have foretold.
PA editor, John Morris Dixon, notes in this issue that architecture at that time was at a point of “particular anxiety, uncertainty and challenge,” pointing out that the AIA Convention was convening the following week in California to “ponder the theme of ‘tomorrow’,” covering a span of 25 to 50 years – in other words, today – with the hopeful prompt: Where will all this uncertainty lead? Dixon himself responds: “To introspection, we hope; to re-examination of the architect’s role in society; to reconsideration of the power of architectural design in human life – and its potential glory.” It is interesting to note that live stream videoconferencing is available this week for those who cannot attend the AIA Convention – whereas in 1977 “videotaped replays will be shown at a later time.” Despite so much, how much has truly changed?
But this was around the time when the profession walked away from taking-on additional risk – including that of construction administration oversight. Here we find ourselves, over 30 years later, with yet another opportunity to address our collective comfort with risk – this time to the extent it is shared – and the question remains whether we are willing and ready to do so. Or, if not, whether we will take a pass on this perhaps last chance to step up and, at the beckoning of attorneys and insurers – as well as our own inner voice that tells us to stick to the knitting, so often defined as design, increasingly including sustainable and urban design – fall back on old habits, rest on our laurels and the comfort and familiarity of what we do so well.
To its credit PA got a lot about the future right, having identified trends that we now take for granted – and have yet to successfully nor adequately prepare for – such as the great migration of US population southwest and ensuing impacts on resources, addressing smaller families, aging of the population, fuel shortages, energy conservation and lifecycle costs, rising populations and scarcity of natural resources. There was no mention of computers, CAD or especially BIM in this issue but we only have to be reminded that BIM Handbook co-author, Chuck Eastman, had already penned in 1975 “The Use of Computers Instead of Drawings in Building Design” in the AIA Journal. PA guest author and social researcher Robert Gutman strongly advises “architects to take initiative for their services to remain essential” while presciently pointing out (via Future Shock author Alvin Toffler) that opportunities may emerge for architects in the area of information. Fast-forward 30 years – the “I” in BIM. Humorously, the editors point out that in 1977 “we are already encountering an advance wave of ‘information overload.’” Oh, if they only knew…
Seemingly out of nowhere, Gutman poses an epistemological question that proved unanswerable to those about to attend the 1977 AIA National Convention: What makes the architectural profession architectural? “Certainly not the fact that it gets buildings up on schedule, or that it designs buildings which are economical to construct and maintain…Such tasks could be handled as well by good contractors and engineers.” Gutman proposes that the architectural profession merits this title because “it alone is expected to coordinate the achievement of these ends with an aesthetic element, producing a design which responds to the canons of order, form, function and convenience all in a single solution.” Sadly, 1977 was the time of style wars in the profession and the answer – had there been one – no doubt would have been in stylistic or theoretical terms. With so much at stake, with so many roles to play, so much to continuously learn, and with so many opportunities before us, I wonder how we would answer this question today: What makes the architectural profession architectural?
Predicting the future is always risky. Living in it has proven even riskier. Who could have predicted BIM when computers weren’t yet readily available in architecture? Or, at the apex of participatory design, who could have anticipated IPD? It’s always both quaint and mildly amusing to look back at what the future was – was to be – and in the end, wasn’t in the least. The ironically titled “Progressive Architecture” now appears – with its colored pencil rendered cover – anything but. Today, with 4D BIM, 5D BIM and xD BIM – we can only wonder now what we are missing, getting woefully wrong and oh so off the mark. This week, in San Francisco, we’re gathering to talk to one another. Let us only hope that this time we’ll listen.
Optimistically, architect Richard Bender philosophically compares the underemployed architect with the fisherman in repose: “In many ways we are like the fishermen who haul in their boats for the winter. We will not catch many fish in this season, but we can patch and caulk the boat, replace some obsolete equipment, and make the many changes and improvements for which there is no time while we are at sea. As designers this is a familiar challenge. It is one I am happy to accept.” Indeed, perhaps there is no better metaphor for our circumstance today as we embark upon the annual gathering of like-minded professionals.