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The Architect (2012) January 8, 2012

Posted by randydeutsch in architect, architect types, architecture industry, BIM, change, employment, marginalization, technology, the economy, transformation, transition.
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Last night I had the opportunity to see Oscar contender, “The Architect,” a film whose story begins in the late-CAD era.

“The Architect,” whether you consider it a screwball comedy, a sentimental melodrama or a spoof, is a 2D black-and-white film that has received a great deal of praise from critics.

The story is a simple and familiar one

The story focuses on a declining male starchitect and a rising starletchitect, as CAD grows out of fashion and is replaced by BIM.

A valentine to early computer-aided design and drafting, “The Architect,” stars leading man Jean Dujardin as a CAD-using starchitect named George Valentin.

At the top of his profession, Valentin meets eager would-be starletchitect Peppy Miller.

She dreams of success in architecture, invests time in learning BIM, and as her demand rises in the industry, Valentin’s shine is eradicated.

Architect Valentin faces untold obstacles: the fickleness of the public’s changing taste, the adoption of disruptive new technologies, waning powers that come with age, competition from fellow industry professionals and unemployment, among others.

Faced with the economic insecurity of the Great Recession and technological change that threatens to make him obsolete, George is being crushed in a vise grip all too familiar to mid-career architects.

Refusing to adapt to the onset of BIM, he puts all his money into one last CAD production.

George has owners in the palm of his hand, at least until BIM arrives

It turns out George isn’t well-suited for BIM, not least because of his mindset and attitude, dependence on 2D CAD and archaic drafting style.

But BIM is perfectly suited to a vivacious ingénue named Peppy Miller, who crosses paths with George, first as a fangirl, then as an intern in the office of his firm.

In 2009, just after Wall Street crashes, George’s studio stops making CAD documents.

The studio head announces the end of production of 2D CAD documents, but Valentin insists that BIM is just a fad.

It’s fitting that the next time he meets Peppy, on Rapidograph Studio’s main stairway, she’s on her way up and he’s on his way down.

When the studio head lays-off all his 2D CAD starchitects, George decides to open his own office where he could work in CAD.

His project is submitted on the same day as Miller’s new BIM project, and Valentin is ruined.

His wife kicks him out and he moves into an apartment with his valet, while Miller goes on to become a major 3D starletchitect.

“If that’s the future, you can have it!”

However reassuring excursions into bygone golden ages may be – whether drafting in pencil or CAD – they carry with them the potential for revisionism, soft-focus complacency and the refusal to embrace uncomfortable but necessary change.

This is why some critics are grumbling about “The Architect,” which has won a cache of critics’ awards and looks to be a contender for the Best Picture Oscar.

Whereas naysaying design professionals can appreciate the fond look back at the medium they adore with equal devotion, they inevitably see “The Architect” as an all too-comfortable 2D nostalgia trip that represents stasis rather than genuine innovation, provocation or artistic risk that working in 3D enables.

Those skeptics may be missing a modest but meaningful truth buried under “The Architect’s” surface and story, which is that George’s plight could easily be transposed into any modern-day profession or industry.

In one of “The Architect’s” most poignant scenes, George plays a character sinking in a cement pour, an aptly desperate metaphor at a time when so many architects feel they are in over their heads.

It’s a film that taps into our anxieties as we encounter seismic economic and technological transformations.

Having just witnessed his first BIM model, George says at one point:

“If that’s the future, you can have it!”

He could be speaking for an entire generation of architects who feel as if they’re in mortal danger of being left behind, forced into early retirement they can’t afford — literally or psychologically – or leaving the profession altogether.
At the risk of revealing a spoiler, it turns out all is not lost for George.

Disappointingly, it involves a work-around – when everyone recognizes the only way out is the way through.

“The Architect” may be drenched in the romance and visual values of CAD’s bygone era, but it’s a motion picture uncannily of its time.

(Apologies to critics of “The Artist,” which – like this post – is a shameless pastiche.)

Why Didn’t You Teach Me How to Practice? November 21, 2011

Posted by randydeutsch in architect, architect types, career, change, education, employment, IDP, pragmatism.
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19 comments

What architects don’t get from architectural education has to be made up in practice.

But can it?

That’s certainly the intention of Intern Development Program (IDP), the comprehensive training program created to ensure that interns in the architecture profession gain the knowledge and skills required for the independent practice of architecture.

Setting aside the validity in today’s economy of an independent – as opposed to integrated – practice of architecture,

Is the office the best place to train to become an architect?

In firms, these days, almost everybody draws.

And everyone is as close to 100% billable as humanly possible.

No more can architects consider themselves “knowledge workers,” unless that knowledge includes working knowledge of such software programs as AutoCAD or Revit.

With many architecture firms pared down to skeleton staffs, training is a luxury few can afford.

And teaching recent grads on a client’s dime is something most clients will no longer tolerate.

Building clients have never warmed to the idea that they are footing the bill for an intern’s education on the job.

As one senior designer said to me over coffee, rather loudly with an emphatic pounding on the table:

“Work is not school! Not school! Not school!!!”

Tell that to any firm that has set-up and administered a corporate university.

Building bridges

Neither academia nor practice, we’re beginning to see emerging entities that are starting to fill-in the gap, gaping hole or (for those attending Cornell) gorge between architectural education and practice.

Hybrid education. Just-in-time education.

Enroll in the equivalent of a four-year lunch-and-learn.

Don’t pass go don’t collect 200 dollars go straight to jail.

At the same time, we’re seeing bridge students who take-up architecture and engineering; or engineering and construction management; or architecture and an MBA, to help segue between academic and real-world pursuits while presumably making themselves more attractive to an employer.

Perhaps it is best that training – whether in continuing education or in practice – stay outside academe’s ivy walls.

Training is still seen by some as parochial, vocational.

In some academic circles “practice” is a dirty word.

Why sully your pristine education with practical consideration?

Some architecture schools won’t have practitioners on their faculty so as not to infect their student body, as though practical considerations were a disease.

This, despite the fact that practical knowledge is a job requirement on the road to becoming a full-fledge professional, every bit as much as residency is for a doctor.

Before building-up $150,000 in student loans, would-be architects – in most states – know that they will have to pass through an apprenticeship prior to sitting for the licensing exam.

Remind me: What exactly did you get for your $150,000 education?

Learning in school vs. learning in the gap vs. learning on the job

Architects like to think that they are alone in many things, not the least of which is their inadequate education and training in the face of a constantly moving picture of practice.

They are of course wrong: they have plenty of company.

This is evident in the many parallels with other areas of study.

Just consider these quotes:

“What they did not get, for all that time and money, was much practical training.”

“Schools have long emphasized the theoretical over the useful”  

“Professors are rewarded for chin-stroking scholarship”

 “They are (practitioners) in the sense that they have…degrees, but they aren’t ready to be a provider of services.”

First-year associates at one…firm “spend four months getting a primer on corporate (practice.) During this time, they work at a reduced salary and they are neither expected nor allowed to bill a client. It’s good marketing for the firm and a novel experience for the trainees.”

“This has helped to hasten a historic decline in hiring.”

“The essential how-tos of daily practice are a subject that many in the faculty know nothing about — by design.”

“One 2010 study of hiring at top-tier…schools since 2000 found that the median amount of practical experience was one year, and that nearly half of faculty members had never practiced…for a single day.”

“The academy wants people who are not sullied by…practice.”

“Where do these students go?…There are virtually no openings. They can’t hang a shingle and start on their own. Many of them are now asking their schools, ‘Why didn’t you teach me how to practice…?’ ”

These are just a few quotes from the New York Times article, “What They Don’t Teach Law Students: Lawyering.”

They  sound remarkably – and uncomfortably – close to what architecture students go through.

What is one thing you wish recent graduates, interns or emerging professionals were taught in architecture school?

  • A better understanding of ___________
  • Greater familiarity with ____________
  • Deeper knowledge of  _____________
  • Basic skills, like how to perform ______
  • A stronger grasp of _______________

Let us know by leaving a comment.

Architect 2Tweets – The Week in Tweets May 28, 2011

Posted by randydeutsch in architect, architect types, architecture industry, books, career, collaboration, creativity, employment, identity, management, sustainability, technology, the economy, transformation, transition.
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Here are some of my architect and architecture-related Tweets that my followers on Twitter have shared with their followers (retweeted or RT in Twitter parlance.)

Take a look. Click on the links to find articles, websites and other resources.

If you are not a Tweeter, by browsing the list of micro-posts you will get a good idea of how I use it. And if you like what you see, follow me on Twitter @randydeutsch

Enjoy!

Move Over, Architect Barbie: Industrial #Design-Related Barbies We’d Like to See http://bit.ly/msjMxR #AEC #architects #AIA2011

Online Attendee Registration Opens Early June for @CONSTRUCTshow Free Exhibit Hall Admission & Discounted Education Packages thru Aug 11

@casinclair Welcome home! Hope to see you in Chicago in September at the CONSTRUCT convention http://www.constructshow.com/

Breathtakingly beautiful spread of architectural books and their designers @archidose http://bit.ly/leLfDs #design #architects

The Architect of Flowers http://amzn.to/jrXJCh ‘Dreamlike and ethereal’ stories

Insurer: Payment delays, fragile construction industry conditions mean more building subcontractors go out of business http://bit.ly/lPLWWQ

Tech Trends: On-Site iPads Change the #AEC Game http://bit.ly/knm5Ym

Just Professionals: excellent blog on social media & online networking w @SuButcher – great tips on #LinkedIn #Twitter http://bit.ly/8IRt7Y

Read the article? Now read the comments: #Architecture #Employment on the Rise http://bit.ly/lZ4caM #architects #AEC

The first warning sign that a project is in trouble. Sometimes it even begins before the project does http://bit.ly/aRY7fp

McGraw-Hill #Construction‘s latest SmartMarket Report on #Prefab-rication & #Modular-ization http://bit.ly/ldXai4 #AEC #architects

Complete series of Op-Ed articles on Public Advocacy to help #architects advocate in the local media http://bit.ly/lEGIQs #leadership

Kandinsky and vacuum cleaners: @Pentagram’s Daniel Weil on the Drawing: the Process http://bit.ly/iuLvIF #architects #architecture

Model of San Francisco, made with 100,000 Toothpicks, began in 1976 – 3000 hours later http://bit.ly/juD4iK

Renter Nation: Since housing meltdown, nearly 3 million households have become renters. 3 million more expected by 2015 http://bit.ly/kUt51j

Integrating #sustainability into #design #education. The Toolkit http://bit.ly/buV7ev #green

“There’s nothing off-putting about sustainability. Find someone who is in favor of purposely ruining the future” http://bit.ly/lV2GcG

An exclusive excerpt from Nathan Shedroff’s new book on #sustainable #design practice, Design is the Problem http://bit.ly/PmMyJ

We’re calling Design is the Problem “the definitive guidebook to the future of design practice” http://amzn.to/jD2QyD #sustainability

Blog written by and for emerging professionals – cool! http://bit.ly/aD6d68 #AEC #architects

THE construction industry, regarded as a barometer for economic activity, is now a volatile, unpredictable barometer http://bit.ly/jCwYcp

Why crumbling of America’s transportation infrastructure is a good thing, according to developers http://bit.ly/f6l6Cp

A clear, well-illustrated step-by-step guide. HOW TO: Start #Marketing on #Facebook http://on.mash.to/jGsW4r

In a modern day Dark Ages with the potential for another great Renaissance? The 21st Century Renaissance http://bit.ly/a2wPeb

Polymath, Renaissance person, Multidisciplinarian (!) – Why we all must become one http://zd.net/kRoKem

Interview w Vinnie Mirchandani author of The New Polymath: Profiles in Compound-Technology #Innovations http://zd.net/91pytu

FYI my rss feeds http://bimandintegrateddesign.com//rss.xml http://architects2zebras.com/rss.xml http://thedesignstrategist.com/rss.xml

From first sketch to final design Japanese #architect Kengo Kuma takes audiences on an architectural journey http://bit.ly/lGYp1d

To compete in a knowledge-based economy business leaders need to reinvent themselves as innovators in services http://bit.ly/ixxU24

Connections, James Burke’s iconic BBC series on the history of innovation, free to watch online http://j.mp/fcppDy

Architect 2Tweets May 22, 2011

Posted by randydeutsch in BIM, books, career, creativity, employment, optimism, questions, survival, sustainability, the economy.
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Here are some of my Tweets that had the most impact from May 19-22 2011, all 140 characters or less.

Architect- and Architecture-related Tweets that my followers on Twitter have shared with their followers (retweeted or RT in Twitter parlance.)

Take a look. If you are not a Tweeter, by browsing the list of micro-posts you will get a good idea of how I use it.

And if you like what you see, follow me on Twitter @randydeutsch

Architects can Learn from David Meerman Scott @DMScotthttp://ff.im/DVKHJ RT @SuButcher

As even #modular homes struggle for mortgages: “Do we move into more land and house type solutions?” http://bit.ly/jEUUJu#prefab

Excellent read. The Builder Within: “No building is as important as what occurs inside.” Bob Clark, Clayco http://nyti.ms/mRKRLJ#AEC

Ever wonder, when designing a jail, if you’ll do time in it? County Suing Architect for $1.35M http://bit.ly/kpjBpJ#architects#AEC

Relating to people: #Construction sector gains soft skills w mentoring. Program helps workers w communication http://bit.ly/kODaWT#AEC

Don’t move: In making #innovation happen, does place matter? Yes, your location does matter http://bit.ly/mL4s0H

Teaching children construction gains momentum in US as way to develop imagination & confidence in youth http://nyti.ms/hEcFKH#AEC

#BIM lawsuit: You read the headline? Now, read the +70 comments http://bit.ly/jRqH85 (Then, if necessary, read the article.)

Finally, some good news for the hard-hit design profession: Firms are hiring again! Architecture Employment on the Rise http://bit.ly/lZ4caM

Weekend reading! (OK maybe 2 weekends) AMAZING cache of articles at The Coxe Group site http://bit.ly/my6hW8 & http://bit.ly/k1AGNY

The #AEC Sales Meeting: a “fly on the wall” view http://bit.ly/mwgpgf#architects

Fabulous interviews w Jim Cramer, Marjanne Pearson, Scott Simpson, Ava Abramowitz, Peter Piven et al http://bit.ly/15ihSa#architects

The Strategic Agenda: Securing the Future. 2 day exec ed seminar 8/01-8/02 Harvard U Graduate School of Design http://bit.ly/e8zljY

Granite countertops cost the same around the world. Just like oil. As wages go up, US will make more of its own stuff. http://nyti.ms/mrka7v

Thinkers who are challenging designers? Bruce Sterling, John Thackara, Sir Ken Robinson, Roger Martin, John Maeda http://bit.ly/jZAEDb

Video of Mansueto Library’s 5-story robotic book retrieval system in operation. Now to get robots to read them! http://bit.ly/ikFcD0

Call it the Book Bubble. The Dome for Tomes. Spaceship That Made #Reading Oh-So-Cool. Audacious: Kamin on Jahn http://bit.ly/jishKL

Sustainable Performance Institute promises to deliver on the promise of sustainability http://www.sustainable-performance.org/#green

Looking Beyond the Structure: Critical Thinking for #Designers & #Architectshttp://amzn.to/iAkbEE

Design Thinking for Interiors: Inquiry, Experience, Impact http://bit.ly/iUn5cr & http://amzn.to/kQ3uOT

Take your eyes on a scroll. Eye-popping drawings of Lebbius Woods’ UNDERGROUND BERLIN: the film treatment http://bit.ly/qQMNi

Excellent review of AIA 2011 Convention: Thomas Friedman’s Keynote & Energy-Related Technologies @AECbyteshttp://bit.ly/m0Wp5m#AIA2011

Are #architects too enamored with technology? Q&A: Architects’ Sketchbooks by Susan S. Szenasy @MetropolisMaghttp://bit.ly/iSRVh2

Learn how to protect your organization contractually from risks & legal challenges that come with #BIMhttp://bit.ly/l6Dcgm#revit#AEC

Here’s one way out: UCF freshman Greg Eason traded life in #construction for blossoming golf career http://bit.ly/mP476p#AEC

So everything’s OK after all? “Office of National Statistics accused of exaggerating construction slump.” http://bit.ly/khMVWX

New Strategies for Mobility – Rethinking Urban Transportation from the The #REDCAR Colloquium http://bit.ly/cfUGFT#innovation

Free excerpt from the book The Owner’s Dilemma: Leading with Exuberance @dinethttp://bit.ly/9a8qnP & more http://bit.ly/9WbyxG

Meet four #architects who have managed to bob, duck, weave and advance in a worsening #design market http://bit.ly/xDMRT#AEC

Dear Architecture Graduates: Be Ready, Relentless, and Lucky http://bit.ly/d2z71P

Despite economy, logic, gravity & common sense, young architectural firm lands major projects, expands staff http://bit.ly/mzzGk8

Marketing Architectural Services: Lessons from America’s Best-Managed #Architecture Firms http://bit.ly/fciKJr#AEC#architects

Is Investing in #AEC Firm Business Improvement Really Worth It? (Plus four most common objections to doing so) http://bit.ly/l6uEoM

Lawsuit over construction of major university building is 1st known claim related to use of #BIM by an architect http://bit.ly/ijYpiW

MORE (and IMHO even better) visual notes from IIT Institute of Design Strategy Conference 2011 http://bit.ly/jieG7m

How visual types take notes http://bit.ly/mpSheY

Interview with author http://bit.ly/16kivD of Design Is the Problem: The Future of Design Must be Sustainable http://amzn.to/lUjgX8

The Architect’s New Titles: to Use or Abuse May 14, 2011

Posted by randydeutsch in architect types, BIM, books, career, change, employment, management, software architects, the economy.
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15 comments

Architects, in an effort to distinguish themselves in a competitive market and work environment, have started to call themselves different things.

Not that they’re going to give up the title architect anytime soon.

They’re in search of a title that more accurately qualifies – and clarifies – what they do as an architect.

With the advent of social media, what we call ourselves in our profiles goes a long way toward how others treat and work with us.

Re-titling it turns out is no longer just for cars

Sometimes we find ourselves using titles that we ourselves aren’t certain what they mean.

And good thing. Because we often use them as much to obfuscate as to communicate.

Many of the newest titles are conjunctions, conflations or co-joining of two or more existing titles – such as business and design – that are meaningful when used independently but when combined leave us ashamed and others feeling abused.

In fact, if you hear someone say “I’m at the intersection of design and business” don’t meet them there – they’re probably lost.

We’ll skip trendy titles such as “Director of Chaos” because architects are more likely to be a ”Director of Form.”

And “Director of First Impressions”? A euphemism for Receptionist. (We’ll spare you the Dilbertisms)

Here’s a field guide to some of the ways we are referring to ourselves – and to each other – in this make-it-up-as-you-go world we find ourselves living and working in.

One definition is offered to confuse or Abuse.

The other you’d be better off to Use.

Designer

Abuse: A designer

  • is someone who sees everything as an opportunity for improvement.
  • is someone who has to sell themselves and their talents every time they walk into a room.
  • primarily concerns themselves with how to create a successful communication, product, or experience.
  • is an agent who specifies the structural properties of a design object.
  • is anyone who creates tangible or intangible objects

In other words, there are as many definitions as there are designers.

Use: Architect. Use Designer if you’d to be retained by an owner. See An Architect With Low Self-esteem

Design Consultant

A Design Consultant is a person who borrows your watch, tells you what time it is, pockets the watch, designs a new one for you, sends you a bill for it and puts a lien on it when you don’t pay in 120 days.

Abuse: Specialists in human factors, psychology, business, design, engineering and manufacturing who provide full service consulting for building and product innovation and design.

Use: Freelancer. An architect who can’t find full-time employment.

Design Management

Abuse: Uses project management, design, strategy and supply chain techniques to control a creative process, supports a culture of creativity and build a structure and organization for design.

Use: A manager of design projects.

See: This is a comprehensive reference book for anyone seeking an introduction to the basic concepts and principles that inform the management of design projects, teams and processes within the creative industries; and her earlier work, here.

Design Anthropologist

Abuse: Belonging to an interdisciplinary field that seeks to understand the role of design artifacts and processes in defining what it means to be human. See also: Design Sociologist

Use: Someone with an undergraduate anthropology diploma and a 3 year degree in architecture.

See this.

Design Ninja

Abuse: An unorthodox or unconventional designer. Used more often in web and graphic design.

Use: Design Mercenary (忍者)

See this.

Thought Leader

Pure unadulterated business jargon. An entity that is recognized for having innovative ideas or business ideas that merited attention. ‘Go to’ subject-matter experts in your industry. Period. Here’s how to package your ideas to share with others.

Abuse: Calling yourself one.

Use: Only when others call you this. And even then, don’t ever use it to describe yourself.

Blogger

Abuse: Someone who writes his/her thoughts and feelings online.

Use: Anyone who contributes to a blog or online journal. And I mean anyone.

See: Arbiter of Knowledge and Wisdom

Change Agent

Abuse: Someone who knows what it means to manage the people side of the change equation.

Use: Someone adept at soothing the staff when management changes their mind. See Change Management

Design Thinker

Abuse: Business people trained in design methods.

Use: Design people trained in business methods.

Design thinkers are designers who achieve innovative outputs that drive business success. See this and this and especially this.

BIMworker

Abuse: Design Principals and Senior Designers used to hand off their building designs – and Project Managers and Architects their redlines – to CAD operators. With BIM, it no longer works this way. Like Artworkers in graphic design, BIMworkers initiate, commence, pursue, resolve self-edit and complete the work. If they had money, they would also own it.

Use: BIM Modelers. BIM Managers, BIM Coordinators and BIM Operators will thank you for it.

Information Architect

Abuse: Someone who uses the word “wayfinding” in casual conversation.

Use: An architect knows that if you have to use signage, you’ve failed. Architecture is its own wayfinding.

Design Strategist

Abuse: Someone who provides innovative insights on using design as a strategic resource. Someone who hangs with CEOs of major brand management firms, business school deans, IDEO alum, engineers and professors of design

Use: Someone who uses design to achieve key business objectives. See Design Thinker and Design Guru.

See: To be a design strategist, you either have to be an IDEO veteran, Stanford University lecturer on design, the founder of a customer experience design company – or know someone who is one. Here are the eleven skills sets for what it takes and here and here.

Service Designer

Abuse: Someone who organizes people, infrastructure, communication and material components of a service in order to improve its quality, the interaction between service provider and customers and the customer’s experience. A cross-disciplinary practitioner who combines skills in design, management and process engineering.

Use: Someone who provides numerous benefits to the end user experience when applied to project types such as retail, banking, transportation, & healthcare. See Social Entrepreneur

See Service Design + Design Thinking = This

Design Innovator

Abuse: See Form giver. Someone who gives shape to products, objects and buildings.

Use: Someone who really gets design, puts it to good use and will lead others into the twenty-first century with creative strategies.

See this, probably the best new book on the topic.

Chief X Officer

Where X can be Culture, Interpretation, Learning, Systems, Collaboration, Co-Creation, Creativity, Innovation, Mischief, Imagination, Technology, Information, Fun. As in Chief Storytelling Officer. Someone who has traded real work for knowledge work. A begrudging strategist.

Abuse: A corporate title indicating hierarchy, authority and power. A high ranking officer who gets an office with a window.

Use: Leader. A high ranking officer who gets a windowless office.

Intrepreneur

Abuse: Entrepreneurs who operate by creating business opportunities and practices inside their organization. Employees who – in addition to their workload – develop client relationships and bring in work.

Use: An employee today runs their own company within their company. Any employee who sells wrapping paper or cookies to captured employees on behalf of their kids. See Social Intrepreneur

Serial Entrepreneur

Abuse: An entrepreneur who continuously comes up with new ideas and starts new businesses.

Use: Someone with a short attention span who can’t make their mind up. Someone who comes up with an idea then abandons it, usually for another equally compelling idea. See Serial Intrepreneur

Design Director (especially when conflated with Founder, Owner, CEO, President and Managing Partner)

Abuse: Principal responsible for client, project, financial, design management and coffee making.

Use: Freelancer. Sole proprietor.

Founding Principal and Owner

Use: You. Your name.

X Advocate

Abuse: Whether Sustainability Advocate or IPD Advocate, they’re a person who publicly supports and recommends a particular cause or policy.

Use: Someone who facilitates the process for others but won’t be seen doing it themselves. See X Evangelist

Director of Product Strategy and Innovation

Use: Sales.

Business Architect

Use: Cell phone sales. See Verizon Salesperson

Lecturer

Abuse: Passionate arbiter of knowledge who enjoys learning while teaching.

Use: Job seeking.

See: Speaker, Author, Educator, Mentor

Lean Ambassador

Abuse: Someone who wastes other people’s time and resources by laboriously advocating the use of such systems as Six Sigma, TQM, Lean and other business management methodologies.

Use: Someone who creates value for others by eliminating waste. See IPD Advocate

Knowledge Worker

Abuse: Someone who works at any of the tasks of planning, acquiring, searching, analyzing, organizing, storing, programming, distributing, marketing, or otherwise contributing to the transformation and commerce of information and those (often the same people) who work at using the knowledge so produced.

Use: Employee. Anyone who works for a living – using something other than their hands – at the tasks of developing or using knowledge. Anyone who develops, works with or uses information in the workplace. See Anyone who works for a living

Business Development

Abuse: Someone who uses industry techniques such as gathering intelligence on competitors, generating leads and prospects, managing presentations and designing and generating successful business models, aimed at attracting new clients and penetrating existing markets.

Use: Client-building, client relations and marketing. See Rainmaker

Trusted Advisor

Abuse: Someone who engages clients by focusing attention on the issues and individuals at hand, listening both to what they say and what they leave unsaid, framing the immediate problem from their perspective, envisioning with them how a solution might appear and committing jointly to the actions and resources that will bring it about, all to gain the confidence and earn the trust of their clients.

Use: Architect. While David Maister’s guide is a classic, this and this are also helpful.

Speaker, Author, Educator, Mentor

Abuse: Expert.

Use: Retired. See Scattershot Approach to Capturing Attention on LinkedIn

Now it’s your turn. Are there any titles you are aware of that you don’t see here?

Doctor, Lawyer, Architect, Fail February 23, 2011

Posted by randydeutsch in architect, architecture industry, books, change, employment, essence, identity, optimism, questions.
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I’ve been thinking about the state of our profession.

For anyone who belongs to an online social media group the subject has been hard to avoid.

And from the number of commenters in discussions it would be fair to say I am not alone.

These discussions tend to present an exhaustive laundry list comprised of complaints and recriminations that run their course until someone steps-up and wisely says something along the lines of

  • “You get out of it what you put into it,”
  • “Be the change you want to see in the world,” or
  • “Ask not what your profession can do for you, but what you can do for your profession,”

The thread soon runs out of steam but pops up again on another site and starts over again.

Rinse, repeat.

Victim mentality

It would appear that some of us never tire of describing the infractions we’ve been victims of and injustices we’ve experienced at the hands of our chosen profession.

Uprising anyone?

Most of the threads boil down to a wish list of what our profession can do for us:

  • Stop everyone who is not a building architect from using the name architect
  • Advocate on our behalf by informing the general public who we are, what we do and why what we do should be valued
  • Clear up any misconceptions that others have about us (that we are wealthy, that we only care about the way things look, that we control project outcomes, wear black, have unrealistic expectations)
  • Give us job security
  • A direct return on investment
  • Tell us – and everyone else – when we’re doing a fine job
  • Only take legislative positions that align with my own
  • Serve refreshments at professional programs
  • Charge us $75 annual dues (like the other guys)

That’s not what professions are for. That’s what Santa Claus is for.

If we were to go back and reread the comments, between the rants and unrealistic demands – if one were to listen carefully and read mindfully – one can discern a voice of reason and compassion: constructive, positive, hopeful.

So much so that one discussion commenter recently concluded:

“I think the comments here are a great foundation upon which to rebuild the profession of architecture.”

Amen.

That’s a good start.

Bowling alone together

While some pay dues in exchange for a very expensive magazine subscription – and so they can call themselves card-carrying members – today most don’t see themselves as belonging to a profession.

They belong to communities, groups and tribes.

In Tribes, Seth Godin defines a tribe as a group of people who are connected to

1. one another, 2. a leader, and 3. an idea.

Godin – like some of the more thoughtful voices in the group discussion threads – encourages readers to find their Tribe, step up, and lead.

So, what distinguishes a profession from a tribe?

A number of qualities and characteristics can be attributed to professions.

Professions, unlike tribes, regulate membership – as opposed to communities and networks that socially certify.

Professions gather skilled practitioners by seeing to it that they’ve acquired and maintained specialized training.

Professions put service to society before personal gain (spouses might add, to a fault.)

Professions encourage a private language be spoken amongst members.

Again?

It’s all part of the body of knowledge considered inaccessible to the uninitiated.

And one of the things that makes a profession a profession.

Witold Rybczynski earlier this month chastised architects for their private language in A Discourse on Emerging Tectonic Visualization and the Effects of Materiality on Praxis, Or an essay on the ridiculous way architects talk.

But that is what professions do: enable and foster professionals to talk to each other as professionals.

I am not saying that we ought to deliberately obfuscate and waylay the public (or use words like “obfuscate” and “waylay” when becloud and befog would do.)

But one way we reinforce our community is by talking to each other in terms familiar to ourselves (and a select few inebriated hangers-on of the 60’s and various sundry academics.)

Of the categories – individuals, teams, organizations, profession and industry – profession feels like the weak link.

There was a time we aspired to serve in professions. Stanley Tigerman asked in the introduction of his fine book Versus, in 1979; Growing up he’d hear his mother say:

My son the doctor, my son the lawyer. Why not, my son the architect?

Nobody would think of asking that question today (and not only because at least 40% of the time it would be addressed to My daughter the architect?)

Because we don’t think in terms of entering professions so much as careers.

How can we have a profession without shared memories, books, references, memes?

Who remembers (or still reads) Peter Collins comparing law with the profession of architecture in the brilliant book, Architectural Judgment, where Collins returns to law school so he might compare the two professions with firsthand experience?

Anyone?

$3.97 for a used copy (call me and we’ll discuss.)

What can we do for our profession?

“What is difficult about this moment in the history of the profession is that the field is moving in so many different directions at once. Changes are occurring in the structure of architectural firms and the scope of their services, in the goals of architectural graduates and the careers they are pursuing, and in the nature of architectural education and the responsibilities of the schools.”

Thomas Fisher wrote this in “Can This Profession Be Saved?” in Progressive Architecture, 17 years ago in February 1994. Read it here.

The title of this post – Doctor, Lawyer, Architect, Fail – invokes the professions, rhythm and cadence of author John le Carre’s spy novel: Tinker, Tailor, Soldier, Spy

Derived from the English children’s rhyme “Tinker, Tailor,” this group of professions had another variant:

“Rich man, Poor man, beggar-man, thief; Doctor, lawyer, Indian chief.”

Doctor, Lawyer, Architect, Fail. What does this title say to me?

Our professions cannot fail us. Only we can fail each other.

What we can do for each other and for our profession is really quite simple. So simple, in fact, it’s worth asking why we aren’t doing some of these things more often.

So, what can we do for our profession?

  • Show up
  • Share our knowledge, stories and insights
  • Help each other
  • Listen to one another
  • Look for opportunities to improve our world
  • Be accepting and inclusive of others
  • Respect each other
  • Celebrate each other’s accomplishments
  • Mentor our fledgling members
  • Be authentic
  • Laugh more (make office Nerf N-Strike battles mandatory)
  • Give back
  • Give others a reason for wanting to become an architect
  •      

Now it’s your turn, by leaving a comment: What could we be doing more of for each other and for our profession? What one item would you add to this list?

Image courtesy NYTimes

Architects 2Zebras Celebrates 2Years January 2, 2011

Posted by randydeutsch in architect, architecture industry, change, creativity, employment, optimism, possibility, survival, the economy, transformation.
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2 comments

Looking back, 2010 was a pretty amazing year for Architects 2Zebras.

The 81 Reasons Why There Has Never Been a Better Time to Be an Architect post immediately went viral, reposted on dozens of sites around the world, including for a time on the AIA National website. To this day several people view this post from as far flung places as Hungary and Japan.

In July, ARCHITECT magazine generously featured both this blog, and my other blog, in a Screen Grabs feature article.

And best of all, you came back again and again despite my not having always delivered on my promise: to uplift while I inform.

Here are the posts and pages that got the most views in 2010:

1

81 Reasons Why There Has Never Been a Better Time to Be an Architect February 2010
36 comments

2

107 Reasons Why You, Architect, Matter June 2010
3 comments

3

about
8 comments

4

55 Ways to Help You Evolve as an Architect May 2010
7 comments

5

A Heartbreaking Book of Staggering Genius: One Architect’s Detour of Duty September 2010
7 comments

My birthday is July 5, the day after Independence Day, so I get to celebrate an extra day every year. So it is only natural that I would celebrate the birth of this blog the day after another holiday: New Years Day.

WordPress, ‘Zebra’s host, sent out an email this morning identifying some of this blog’s highlights over the past year:

What WordPress failed to mention is that I did not always deliver on this last count.

It has been a hard year for many architects. I have been out of work for nearly a year and there are times when the state of the economy gets to me – someone who considers himself an eternal optimist.

My previous post was indicative of this state of mind. While several readers wrote to me – by email, or on LinkedIn – that what I said in that post was largely accurate, the vast majority found it to be depressing.

It is never my intention to add to anyone’s misery – I thought I was just stating it as I see it.

I was wrong.

I can see now, through WordPress’s stats, that no one visits my site after searching for “just the facts,” “reality” or “to be pessimistic about something.”

One of my resolutions for 2011 is to be, as always, honest with you and true to myself, but not at the expense of providing hope, pertinent information and sharing my normally optimistic outlook.

There is a world of good out there – and in each and every one of us.

I’ll do my best in the coming year to share with you resources, insights and knowledge that is growth promoting, nurturing and, whenever possible, inspiring.

That’s my pledge to you.

Thanks for stopping by. I hope to see you here again soon.

Have a happy, healthy, prosperous and creatively fulfilling 2011!

Randy

Randy Deutsch AIA, LEED AP

What it Means to be an Architect Today December 26, 2010

Posted by randydeutsch in Ambiguity, career, employment, identity, possibility, questions, reading, the economy, transformation, transition.
Tags: , , ,
16 comments

I saw the best architects of my generation destroyed by idleness, starving hysterical naked,

dragging themselves through the vacant-lotted streets at dawn looking for an angry commission,

angleheaded architects burning for the ancient heavenly connection to the starry dynamo in the machinery of night…

What does it mean to be an architect in 2011?

For every architect putting the finishing touches on a set of construction documents, or starting a design study for a prospective client, there’s one thinking outside the bun.

And another reading this for free at the public library.

The U.S. Bureau of Labor Statistics says between 6 and 13% of architects are out of work.

The 53% of architects who are actually out of work believe these numbers are accurate.

The vast majority of working architects are severely underemployed, focused on getting work, marketing their own or their firm’s services.

The vast majority of architects, in other words, are now working in marketing.

Taking-on work outside their comfort zone.

Whether beneath them or above them, work of an altogether different caliber.

Like an actor, architects are awaiting call-backs. Waiting to be called back by the firm that let them go.

In the mean time, architects are driving cabs, working at Lowes.

Masters in Architecture now means we’re becoming masters of another art: the art of losing.

Tracking unemployment is logistically difficult, requiring a great deal of manpower, according to AIA chief economist Kermit Baker.

47,500 unemployed architects hired full-time by AIA and NCARB to track unemployment in the industry. 

Finding themselves in new, unfamiliar situations with people they hardly know and – digging deep into their bag-of-tricks – making the most of it.

Architects in retail hawking e-readers and housewares.

Architects moving across the country, or out of the country away from their families, to help pay their kids’ expenses.

Asking not what the AIA can do for them; asking what they can do for the AIA.

In the midst of such astounding lack of loyalty, remaining loyal to their calling and their muse.

Getting used to being “between projects” and any of a dozen other euphemisms for having been – for a loss of another euphemism – shitcanned.

Not waiting to see who will take the lead in the green movement.

Asking not what the world can do for them; asking what they can do for the planet.

Would-be architects turning their eyes and education to the gaming industry.

To pay back their student loans.

Notwithstanding, with 12 high school applicants for every 1 undergraduate architecture slot, it would seem that architects are gamblers from the start.

Architects working for food conglomerates, driving forklifts, putting furniture together.

Architects working for food.

Applying for positions that will go to exact matches – down to the hair follicle color.

Or to no one.

Job applicants asked to undertake DNA testing – to see if they’re an exact match for the position.

Architects who will gladly work “pro-bono” just to stay in the game are still rejected because they’re “too expensive.”

Questioning the wisdom of being a generalist.

Architects of lakefront manses taking-on basement renovations.

Gladly taking-on basement renovations.

Questioning the wisdom of being a specialist.

Or the wisdom of having sought and ultimately attained that Theory of Architecture advanced degree.

Is it possible that they don’t know that the phrase “pro-bono” means “free?”

2008 tested your mettle. As did 2009. 2010 tested your mettle. So will 2011.

If architecture is a calling, how come the phone doesn’t ring?

Maybe there’s an opening for mettle-testers?

Architects selling life insurance to other architects.

Who void their policies by killing themselves.

Who kill themselves by losing their sense of humor.

Who lose their sense of humor from dealing with former colleagues who are now selling insurance.

While women are getting paid 75 cents to the dollar, architects are getting paid 25 cents to the dollar.

Women architects are finally getting paid the same amount as men.

Justice after all.

Trying to find a way to monetize 30 years of professional working experience.

Otherwise known in the industry as a job.

 To be hit when you’re down by those who belittle what we do.

To lay there flailing and writhing.

And they still don’t hire you.

You still owe money to the money to the money you owe.

You remember being so busy a few years ago that you might have committed some lines to paper, or said some things to a colleague, that you now regret.

You remember thinking at the time that you would change when things finally slowed down.

 Coming to the slow realization that what you had been practicing all these years was a luxury that few could afford.

Or need.

To be an architect means to be at once both fragile and all-powerful.

To go from under-utilized to over-committed on a dime.

Or for a dime.

Wondering how on earth we – at this time in our lives – are supposed to reinvent ourselves.

Where to start?

Who, to be competitive now, must consider themselves certified-virtual construction-lean-accredited-design/build-BIM-IPD-VDC-LEED experts.

To be experts at everything means that we’re…generalists?

Find yourself humming Eric Clapton’s Nobody Knows You When You’re Down and Out.

To be an architect today means to start over. Every day.

Able-bodied, talented, smart and eager young interns sitting this one out in the penalty box in perpetuity, for the sole reason that they are able-bodied, talented, smart, eager and young.

I get my hands on a dollar again, I’m gonna hang on to it till that eagle grins.

Starting over means to see with beginner’s eyes – because we’re reentering a new economy, a new profession, firms with new organizational structures.

To be an architect today means to consult, to borrow space, workstation and another’s air.

To be a product procured by means of a purchase order over being retained as a professional service.

Wondering if you’d be better off moving to Canada where there are purported to be more jobs (and where it is also purported to be warmer in winter.)

Or get up and move to NY or CA because it seems that these are the only places with job listings.

To understand that the current decline is the most severe and will probably take the longest to recover, but that the profession will recover nevertheless if the past is any predictor of the future.

And to wonder if the past is any predictor of the future.

Where design architects find themselves for the first time in the minority of all “architects” including computer, business and IT.

To adjust expectations so that pay, benefits and seniority are no longer primary drivers in your job pursuit.

To be wary of the easy temptation of cynicism.

To be underrepresented, ill-prepared and overlooked.

Always the bridesmaid. Never the bride.

For whom the phrase “the gray hairs are the first to go” used to mean you’re going bald.

It is as much about who you know now as what you know.

Network, reach-out, get involved. But to make any inroads you’re going to have to pave your own way.

Notice phrases such as “skeleton staff,” “trending downward” and “where’s dinner coming from?” have mysteriously entered your vocabulary.

And words like “salary” have disappeared.

All the tools in your toolbox. And nowhere to use them.

Beating against the current of a veritable ocean of regulatory design requirements.

While taking-on water.

So we beat on, boats against the current, borne back ceaselessly into the past.

Otherwise we sink.

To be an architect means to persevere.

To do all one can, each day, to hold on and not let go.

Learning to persevere from American Indians.

Learning from cancer survivors.

To not give up, no matter how bleak.

To maintain your sense of humor.

To keep things in perspective.

To remain resourceful.

Ready to take-on whatever assignment you are offered.

Whatever comes your way.

To not lose heart when you find that you have lost rank.

To work hard at creating communities: of practice, of hope.

But also just of belonging.

That’s what it means to be an architect today.

 (Apologies to Allen Ginsberg)

Making a Case for the Value of Architecture October 14, 2010

Posted by randydeutsch in books, career, change, employment, optimism, possibility, pragmatism, survival, the economy, transition.
Tags: , , ,
5 comments

I’d like to share with you a personal letter from the author of Down Detour Road: An Architect in Search of Practice, featured here in a previous post. Eric Cesal’s words are eloquent, earnest and heartfelt. And his approach to architecture and life inspires and for me represents hope and salvation so many architects today are in search of. Thank you Eric. Eric writes:

Thank you so much for your very kind and generous review.  It is a great thrill to know that my small book is resonating with at least a few people.  It began as a series of disjointed thoughts on architecture, and through the support and prodding of many, evolved into what it is.

I’m still in Port au Prince, if you’re curious.  We have an office of about 15 people and are working hard at school reconstruction, among other things.  I’ve been here 8 months now, with only a few days off sputtered here and there.  Its been a surreal thing to watch the book come out and gain traction while I’m here entrenched in Haiti’s recovery.  The book and its course seem very distant to me now.  I haven’t written much about my experiences here, owing to an inability to get appropriate space from the situation.  I don’t know how you write without reflection, and I don’t know how you reflect at the heart of a disaster.  We’re all here with our whole heart and its tough to imagine stepping away enough to write anything meaningful.

I did want to elaborate on something you mentioned in your review, specifically on your suggestion that my work in Haiti is somehow a detour from a normal course of practice.   I’m referring specifically to the line “Architects who are considering doing a tour of duty helping the world in some selfless way while they wait out the Great Wake.”  I’m not sure if you were exactly implying that that’s what I am doing, but truthfully I’m not really waiting out anything anymore, because I’m exactly where I need to be.

The title as metaphor, was really meant to suggest that unemployment was a detour – from the normal expected life of architects.  That may seem strange, in that many architects have come to expect long bouts of unemployment as a necessary fact of life.  But I was also, at some level, trying to argue that we shouldn’t expect such things.  That we should treat unemployment, wage suppression, and general professional dissatisfaction as aberrations in what should be the life of an architect.  If we really believe in what we’re doing, we should believe in its value and treat it as such. 

I view my move to Haiti, and the work that I’m doing here, as the high expression of the ideals espoused in the book.  I believe that I am here making a case for the value of architecture and its relevance on the planet as it exists today.  I don’t believe that someone would need to move to Haiti to do so, but I had a certain flexibility in my life that the book’s publishing made possible, so I moved forward with the decision.  Similarly, my work on the Katrina reconstruction was not a detour or a distraction, but an attempt to find for myself where architecture’s value lies.  In no small way, I believe that the work that Architecture for Humanity is doing in Haiti (and everywhere else, for that matter), makes the case for the small practitioner doing residential work in rural middle America.  It identifies architects as responsible citizens, adept problem solvers, and true professionals.

In that sense, I’m not waiting out anything.  I have already moved past the Great Wake at a personal level.  I have a job, a mission and a family of truly wonderful architects that I work with.

My editor and I went back and forth many times about the sub-title.  “In Search of Work” “In Search of Meaning” “In Search of a Job” were all considered.  Ultimately, “Practice” won out because that was really what I was searching for and that is ultimately what I found in the end.  At the story’s close, I hadn’t found a job, the earthquake hadn’t happened, and I was still, in some literal way, sitting around.  But I had found something: a way to practice.  A way to understand what architecture was and how to do it.  Not in some external, universal way, but in a way that worked for me, a way that allowed me to sleep at night and not feel like I had wasted the last ten years of my life. 

Barring some unforeseen event (and to be honest, Haiti can give you plenty of those) I don’t plan on coming back to the U.S. anytime soon, or practicing anything within the conventional world of architecture.  Even if the architecture job market were to recover tomorrow, I don’t think that I would feel any draw to come back.  My architecture is here, among the survivors.  Hope that makes sense.

Thanks again,

Eric

A Heartbreaking Book of Staggering Genius: One Architect’s Detour of Duty September 25, 2010

Posted by randydeutsch in architect, architect types, architecture industry, books, career, change, employment, identity, management, optimism, questions, reading, software architects, the economy, transformation.
Tags: , , , , , , , , , , ,
9 comments

Today’s post will be brief: I have a presentation to edit and packing still to do. But I would be remiss in leaving town without first letting you in on a brand new book that I just read that I predict will take you and the architecture profession by storm. Before reading further, grab your wallet. You’ll need it by the time you get to the sixth line of this book review.

The book title: Down Detour Road: An Architect in Search of Practice

The author: Eric J. Cesal

Why you never heard of him: He’s a recent architecture graduate with 5 years experience as an intern and has built little.

Why that shouldn’t matter: You will be hearing a lot more of and from Eric J. Cesal. 

The consensus: This may well be the best book by and for architects ever written. And (to my wife’s chagrin) I own and have read them all.

What the book will set you back: $14.93 ($21.95 + tax if you happen upon it in a bookstore, like I did. See “chagrin” above.)

Who should read this book: Out of work architects. Architects thinking of leaving the profession. Architects who have left the profession but want back in. Former architects who have left the profession for good but on deep, dark nights lie sleepless in bed wondering if they made a wise choice. Neighbors of out of work architects who wonder why they wear a tie when taking the dog out for a walk. Anyone who has ever had to wear a tie. Katherine Darnstadt would like this book. Parents who find their recent grads living once again under their roof. Or in their tent. Employers. Architect’s spouses, friends, relatives and roommates. Architects who think they might have a story to tell but question whether anyone will care to listen. Architects who are considering doing a tour of duty helping the world in some selfless way while they wait out the Great Wake. Architects who think they may be the next to be let go. Architects who sometimes wish they were the  next to be let go. Architects who read architecture blog posts in hopes of finding someone who deeply, passionately understands their situation. Architects.

Why you should get it: This book  speaks to you where you hurt. Cesal is wise beyond his 31 years (33 today) and whip smart. He knows what matters and he (and no doubts his talented editors) cut to the chase.

Why you should get it now: The sooner you read it, the sooner we’ll all be out of this mess; the sooner you’ll decide to stick it out in architecture; the sooner you’ll find a place for yourself in this new world.

Author’s espoused purpose in writing the book: “We want to find ways for the architecture profession to prosper as our world economy transitions.” p. 42

Why you should read it: Cesal wrote the book during a period of unemployment. Nearly every architect – employed, underemployed and unemployed – can relate.

Why else you should read it: Cesal names the Great Recession the Great Wake.

What will linger long after you’re done reading the book and give it to your colleague to read: The author’s voice.

What this book could also be used for: Like a commonplace book that soldiers used to carry around with them for reassurance and companionship on the front lines, you can keep this book nearby on your own detour of duty.

Why I love the book: Interjected throughout the book are short personal essays describing the author growing up, personal incidents and events that helped shape the architect/ author/ artist/ humanitarian he has become today. I love how the book captures timely subjects (the co-opting of our title by others) and timeless ones. I am most impressed by the way the author maintains a line of thought, without jumping around from subject to subject: a real feat and welcome revelation in contemporary writing. Like the late, great architect and author Peter Collins, Cesal asks hard questions and isn’t afraid to linger in them until he offers a solution.

Why this book may not be appropriate for all audiences: There’s an excruciatingly painful scene involving a tooth being pulled. Alcohol plays a part in a number of chapters.

The author’s eye for detail: How Cesal knew the recession had reached his city: “The coffee shop I usually passed by seemed to have too many people in it.”

Why I think Eric J. Cesal is architecture’s answer to Dave Eggers: Down Detour Road: An Architect in Search of Practice is A Heartbreaking Work of Staggering Genius if it were written for architects.

Favorite passage from the book: The author’s attempt to find work at a temp agency. (p.117) Priceless.

The author’s education: Three master’s degrees in four years: business administration, construction management and architecture from Washington University in St Louis.

What book you might compare Down Detour Road with: During the deep recession of the 1970’s we had Harris Stone’s incomparably endearing and well-illustrated Workbook of an Unsuccessful Architect (available here for a penny.) But let there be no doubt: Down Detour Road is our age’s Let Us Now Praise Famous Men by Walker Evans and James Agee. This book is our The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl.

Someone famous the author hangs with but doesn’t once mention in the book (very classy): Cameron Sinclair, co-founder and ‘chief eternal optimist’ (CEO) for Architecture for Humanity.

Representative quote from the book: “For all the things I had intended my life to be, for all of the  things I thought I would be doing at 31, I was sitting in the dirt, on the side of an empty, unlit road, jobless, homeless, cold and hungry, lusting after a street sign.”

The author’s solution: Cesal recommends that we have to come to some hard truths about the limits of what we do “and then leap beyond those boundaries.” He goes on to describe 10 types of architects.

What are the ten architect types he writes about? The financial architect; The value architect; The risk architect; The paid architect; The idea architect; The knowing architect; The named architect; The citizen architect; The green architect; The sober architect. He refreshingly doesn’t over-use capital letters and dedicates a chapter to each architect type.

What it says on the dust jacket: As the world redesigns and rebuilds in the face of economic and ecological crises, unprecedented numbers of architects are out of work. What does this say about the value of architecture? That is the question that confronted architect Eric Cesal as he finished graduate school at the onset of the worst financial meltdown in a generation. Down Detour Road is his journey: one that begins off-course, and ends in a hopeful new vision of architecture.

Like many architects of his generation, Cesal confronts a cold reality. Architects may assure each other of their own importance, but society has come to view architecture as a luxury it can do without. For Cesal, this recognition becomes an occasion to rethink architecture and its value from the very core. He argues that the times demand a new architecture, an empowered architecture that is useful and relevant. New architectural values emerge as our cultural values shift: from high risks to safe bets, from strong portfolios to strong communities, and from clean lines to clean energy.

This is not a book about how to run a firm or a profession; it doesn’t predict the future of architectural form or aesthetics. It is a personal story—and in many ways a generational one: a story that follows its author on a winding detour across the country, around the profession, and into a new architectural reality.

Where you can find the author today: Port-au-Prince, managing and coordinating Architecture for Humanity’s design and reconstruction initiatives in Haiti until 2012.

No, really, where can you find him: You can find him here. But seriously, he lives in Haiti with a family of two dogs, 11 chickens, 5 cats and a goat named Newfie. Read more about it in the Huffington Post here.

What’s next up for the author: As Cesal explains on his webpage, “Two projects are currently in slow, agonizing, one-sentence/week progress: NCARB & I, a chronicle of architectural licensing, and Lets Just Finish These Beers and Go, a semi-autobiographical romp about how to become an architect while making every self-defeating effort you can.”

What does the word “detour”mean in the book’s title: de·tour, n.

1. A roundabout way or course, especially a road used temporarily instead of a main route.

2. A deviation from a direct course of action.

Likelihood that the book will be made into a movie: Very good odds. I’m not a betting man but I’d bet on it.

Final thoughts: Someone get this guy a MacArthur Genius Grant. And a second one to The MIT Press for having the foresight and gumption for publishing this staggering piece of exceptional writing from an otherwise little known entity. Cesal may very well be doing wonderful, necessary work in Haiti but we very much need him here back home with us.

The quickest way to get the book in your possession: Steal it from an architect in the coffee shop. Or click here

What to do while you wait for your copy of the book to arrive: Tell everyone you know to read Down Detour Road: An Architect in Search of Practice.

A Heartbreaking Book of Staggering Genius: One Architect’s Detour of Duty by Randy Deutsch AIA, LEED AP 2010

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