Minority Report: What Drives Success in Architects? January 31, 2014Posted by randydeutsch in books, career, education, employment, survival, the economy.
Tags: AEC industry, AIA, Amy Chua, architect, architecture, construction, contractors, Daniel Pink, Drive, engineers, intrinsic rewards, motivation, NCARB, New York Times, Tiger mom, Triple package, What Drives Success, work-life balance
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There’s education, training, taking the exam.
Retaking the exam and licensure.
Then, once you’ve become an architect, it’s hard to remain one.
And there are so many forces that seem to work against you.
The economy. Fickle clients. Work/life imbalance. The hours. Competition…
I don’t need to spell them all out (because you know them all too well, and Roger K. Lewis has done so here.)
So what does it take to succeed at architecture?
To become and be an architect?
In the airport returning from the AIA 2014 Emerging Professional Summit in Albuquerque, I came across an article in The New York Times, What Drives Success?
The article was written by Amy Chua and Jed Rubenfeld, husband/wife professors at Yale Law School and authors of the forthcoming book “The Triple Package: How Three Unlikely Traits Explain the Rise and Fall of Cultural Groups in America.”
I want to focus on one point: What the author’s call the Triple Package.
About a third of the way through the article they write:
It turns out that for all their diversity, the strikingly successful groups in America today share three traits that, together, propel success.
The authors then go on to describe each of the three traits:
The first is a superiority complex — a deep-seated belief in their exceptionality. The second appears to be the opposite — insecurity, a feeling that you or what you’ve done is not good enough. The third is impulse control.
The article – and the book it is based on – talks about cultural groups – not professions – but hear me out.
Let’s break out these three traits:
- superiority complex — a deep-seated belief in their exceptionality
- insecurity — a feeling that you or what you’ve done is not good enough
- impulse control — the ability to resist temptation
Wouldn’t you know, these traits not only – as the authors state – describe successful ethnic, religious and national-origin groups, but they also accurately describe architects.
Let’s look at the traits one at a time.
Architects have a superiority complex. They’ve survived the tribunal of education, studio culture, and finding, negotiating and doing projects. They have design thinking and other transferable skills that everyone’s clamoring for on their side. They represent both paying clients and a non-paying one: society-at-large. They’ve put in the time and paid their dues. You would think architects have a right to think highly of themselves.
Architects are insecure. As a profession, architects justifiably feel insecure when compared with other professional groups such as doctors and lawyers, who appreciatively are paid a great deal more for the time they put in and the work they do. Architects are beholden to owners who – on a dime – can stop projects that are progressing in their tracks for reasons having to do with actuaries and their pro forma – things architects know little about. Architects are engaged at the whim of an economy that they can’t influence and have little chance of predicting.
But how can architects be simultaneously superior and insecure?
Let’s look at the first two traits:
superiority complex — a deep-seated belief in their exceptionality
insecurity — a feeling that you or what you’ve done is not good enough
As the article acknowledges:
It’s odd to think of people feeling simultaneously superior and insecure. Yet it’s precisely this unstable combination that generates drive: a chip on the shoulder, a goading need to prove oneself.
Many people who work and/or live with architects will recognize them in that description.
So how does impulse control fit into the mix? Again, the article:
Add impulse control — the ability to resist temptation — and the result is people who systematically sacrifice present gratification in pursuit of future attainment.
The only architects I know who suffer from impulsiveness are those who are impulsively driven to work harder and longer to achieve more.
Looking at impulsivity in another way: Knowing that it can take years before they see their designs built, architects have no trouble passing the Marshmallow Test.
The article’s authors go on to admit a truism that could not apply to architects more:
We know that group superiority claims are specious and dangerous, yet every one of America’s most successful groups tells itself that it’s exceptional in a deep sense.
Architects, deep down, know they are exceptional.
In fact, I recently posted this in another blog acknowledging as much:
Recognizing that nothing incites a non-architect’s derision, ridicule and ire swifter than to start a sentence “The architect is uniquely qualified to…” here are six qualities that make architects ideally suited to lead collaborative, integrated teams.
That’s Architectural Exceptionalism: which states that architects are unusual (check) and extraordinary (check) in some way and thus do not need to conform to normal rules or general principles.
Others are taken-aback when you point out that any group is exceptional in any way, as I learned myself, when several readers contacted me about the post above suggesting I substitute the word facilitator for the word leader.
One advised me: “No one wants to hear that the architect is the leader.”
Are architects a minority group?
We’re in agreement that architects are in the minority.
Architects, of course, make up a tiny fraction of the AEC industry.
There are 1.5 million employed engineers in the US.
The number of architects licensed in the United States?
Three quarters of these (74%) practice in architecture firms.
In fact, there are as many construction companies in Texas and California as there are architects in the US.
And there are 7,316,240 construction company employees in the US.
So, architects are in the minority.
But are architects being in the minority the same thing as being a minority?
Can architects explain their success in terms of their minority status?
These success traits very well may have implications for a more diverse profession.
But the question remains:
Is it possible that part of what makes architects successful is that they see themselves as a minority?
Let us know by leaving a comment below.
Tags: behavior change, benefits, change, collaboration, economic crisis, environment, heart attack, IOU, John Lanchester, motivation, negative emotions, risk
That’s the question I posed recently to a psychologist and a professor.
First, it’s important to recognize that architecture is a conservative profession.
We’re looking out for others – protecting the health, welfare and safety of the public.
We take a lot of risks and by nature are risk-averse.
So when we hear change knocking – it’s not often we’re first in line.
And yet – as the world is making clear – our job now is to change.
The biggest challenge is recognizing that we need to change.
What will motivate us to do so and how will we benefit by doing so?
Motivation vs. Benefit
Think of a recent change that you have made in your diet, lifestyle or habits.
What events, experiences, knowledge or people motivated you to change your behavior?
Where did this motivation come from?
Within you? Or from without?
What were the payoffs for making the needed change?
The reason I ask is this:
Unless there are clear benefits, we won’t change.
If the reasons are big enough, architects will change
While conducting research for my book, BIM and Integrated Design (Wiley, 2011,) I asked a psychologist and a professor each what it will take for architects to change.
With the new technologies and collaborative work processes upon us, do these call for the redesign of the architect?
And if so, how will we go about making our necessary changes?
The psychologist responded,
“How?” is about 10% of it.
90% of it is “Why?”
With an architect, if the reasons are big enough, they’ll change.
Unless they feel hurt, depressed, angry, upset, disappointed, without that there’s no leverage to change.
People change when they can no longer stand the way they’re living and architects are no different.
Architects are going to have to change when they can no longer stand to practice the way they’re doing it and realize that they have to change.
They’ll be forced into it.
When the reasons are big enough, they’ll change.
Unless the feared pain of changing is less than the feared pain of not changing, I’m not changing.
It’s not “This is good for you.”
I’ll fight you to the death on that one.
People don’t change because it’s good for them.
They don’t change for people.
I’ve come to appreciate “negative” feelings. I need those. That’s the leverage.
Architects are Always Changing
The professor took a different tact.
I asked him if this is an important question or is change in the profession and industry inevitable, a given?
The professor responded:
It comes back to the question whether people think it is productive for their own roles or place in the profession for change to happen.
People who are asking that often feel threatened because they may be in positions of power and for them status quo is beneficial. So they don’t want a change.
Whereas people who want to make a place for themselves are often the ones who are trying to change things.
Change is inevitable.
The idea that architecture has ever been a consistent type of practice is a myth.
It has always changed.
There will always be people for whom change will seem alluring and filled with opportunity to advance and position themselves better.
There will always be this element of change.
We cannot predict when things will change in various contexts – but change is always this element in there that’s at play.
In a pretty amazing book succinctly summarizing the recent economic crisis, author John Lanchester borrows a concluding metaphor from climate scientist James Lovelock who observed that
What the planet needed was the equivalent of a small heart attack.
In Lanchester’s view, the recent economic crisis is the equivalent of capitalism’s small heart attack.
Such an episode in a person’s life is often beneficial because it forces the person to face unpleasant facts and to adopt a healthier lifestyle.
Perhaps it could have a similar effect on architects and the health of the profession?
Sometimes it takes a dramatic event to shake things up and to make people wake up.
So maybe what we are going through right now – with the economy, environmental challenges and technological changes – is a small heart attack?
Not so large so as to kill us.
But big enough to get our attention.
And get us to make the necessary changes.